George Méliès bring to cinematography dream, fiction and magic. Happy coincidence that the mysterious architecture of the French Cinematheque hosts the filmmaker of a thousand talents, a true virtuoso technical end of the nineteenth and early twentieth century. The exhibition pays tribute to the brilliant inventor of arson, superimpositions, melted chained ...the best heritage of the 7th fantastic art. In a purple curtain arranged theatre, coupled with an atmosphere almost phantasmagoric, what remains of the artistic heritage of Méliès decorates windows: diabolical masks in cardboard-paste films pantomimes, through strange mechanical creations magicians. The Cinematheque is strong in arranging a collection established since 1936, when the CNC (National Centre for Cinematography) and Malthête Méliès, granddaughter of filmmaker, just contribute. Around complex creations - like the kinétographe - Méliès actor improvised a large part of these works, some famous authors caricature of French literature, to try out the photograph on glass. Like the photos of the studio devastated Montreuil, a pan of the work of filmmaker was unfortunately destroyed. However, Méliès leaves few jewels of invention and humour. In The Mélomane (1903), the film manages to multiply his face to form a musical score. The world of cinema Méliès applies to the cosmogony theatre Jean Eugene Robert-Houdin. A conquest of the Pole (1911), one of the last films of the filmmaker, explores the myth of the monster ice, is unreal a huge head that rises and eats explorers. Méliès follows in the footsteps of Jules Verne's most famous film, Le Voyage dans la Lune (1901). Méliès y included scientists starred in hats, and already tells the conquest of space and technology for future lunar rocket