Poussin, Watteau, Chardin, David…
French
Painting in German Collections (17thand
18th Centuries)
Galeries Nationales du Grand-Palais - Entrée Square Jean Perrin -
30 avril - 31 juillet
Exhibition
placed
under the High Patronage of Mr. Jacques Chirac, President of the French
Republic, and Mr. Horst Köhler, President of the Federal Republic
of Germany.
Exhibition organised by the Kunstund Ausstellungshalle der
Bundesrepublik Deutschland, Bonn, the Réunion des Musées
Nationaux, Paris, the Bayerische Staatsgemäldesammlungen, Munich
and the Haus der Kunst Foundation, Munich. It will be shown at the Haus
der Kunst (Munich) from 5 October 2005 to 8 January 2006 and at the
Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (Bonn) from
3 February to 30 April 2006.
In 1982, the
Galeries Nationales du Grand Palais presented an exhibition of the
finest seventeenth century French paintings held in public collections
in the United States. The same principle has been applied to Germany
for this exhibition, which brings together 168 French paintings from
the seventeenth and eighteenth centuries held in German museums, some
of which are known for the size and quality of their French
collections, in particular those in Munich (Alte and Neue Pinakothek),
Karlsruhe (Staatliche Kunsthalle), Dresden (Gemäldegalerie Alte
Meister), Potsdam (Staatliche Schlösser und Gärten), Bremen
(Kunsthalle), Hamburg (Kunsthalle) and of course Berlin
(Gemäldegalerie). Most of the works are grouped by genre
(religious and mythological painting; portraits, landscapes, still
lifes…), but one section is devoted to oil sketches and another
exclusively to paintings by Nicolas Poussin and Claude Lorrain.
Other French masters are well
represented in the exhibition: Simon Vouet, Valentin, Largillierre,
Watteau, Chardin, Boucher, Greuze…
As a complement to the catalogue
published by the Réunion des Musées Nationaux and its
German partners, a complete inventory of seventeenth- and
eighteenth-century French works in German public collections will be
published in Germany to coincide with the exhibition. This is a sound
piece of scholarship which will be useful to art historians as well as
art lovers interested in French painting from Henri IV to Napoleon I.