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Los Angeles 1955-1985
Centre Pompidou

Centre Pompidou,, until 17 july 2006.
californie centre pompidou paris
This exhibition shows us how, in thirty years, Los Angeles became one of the world capitals of the contemporary art, symmetric energy Pacific ocean of the dynamic New York in the East of the country.  Arranging 17 wealthy galleries, the Pompidou center presents 350 paintings, sculptures, photographs and installations various which recall the principal alternating currents of inventive California:  Pop Art, the assemblies, the minimalism fetish, the Light and Space of the Seventies then the conceptual art which takes over.  Several recognized artists emerged from these tendencies of which Baldessari, Kaprow, Ruscha, Turrell, English David Hockney installed in Los Angeles in 1964 and symbolic flag of the circumvent of pop Californian art.  At the same time of César on this side of the Atlantic, a generation of sculptors will make the dustbins to work agglomerated recycling, écologico-artistic compressions and other assemblies (Herms, Berman, Sam Rodia, Kienholz, the gigantism of Nancy Rubins).  These movements will also offer to their authors the occasion to express their protestation of the war of Vietnam and a formidable platform for the defense of the ethnic minorities.  The politic is never far from the symbols.  Irving Petlin is founders of the committee of artists protesters in 1965.  The feminists engulf themselves in the project and a generation of militant women is born (Eleanor Antin, Judy Chicago).  A protean exhibition which shows us the capacity of prophecy of California compared to the social and artistic concerns contemporary.

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